Tag Archives: John Noble Wilford

Nice to meet you, Ardi. See you at the family reunion.

Meet the family: Ardi, or Ardipithecus ramidus, in the flesh. Illustration: Jay Matterns, Science magazine

Meet the family: Ardi, or Ardipithecus ramidus, in the flesh. At 4.4 million years old, she’s our REALLY great aunt. Illustration: Jay Matternes, Science magazine

As we all know, modern life seems to be zipping around us at something approaching light speed: Whole trends and movements sometimes flower and die before we’re even aware of them. Whatever happened to the New Kids on the Block?

Thank goodness for science, which tends to take a longer, more measured view of things. It was a pleasure to look at the front pages of my two newspapers this morning and make the acquaintance of Ardi, a distant relative, and welcome her to the sort-of human family.

Ardi — short for Ardipithecus ramidus — is our newest oldest relative. At about 4.4 million years, she’s roughly a million years older than our old friend Lucy, who clocks in at 3.2 million. Ardi and Lucy grew up not too far from each other, about 45 miles distant in what is now Ethiopia. (A couple of even older specimens, Orrorin tugenensis and Saheanthropus tchadensis, might stretch the old family tree back to more than 6 million years, but apparently their fossils are too few for paleontologists to make a definitive case for them.)

Ardi stood about 4 feet tall and weighed a muscle-bound 120 — almost a foot taller and twice the weight of Lucy, according to John Noble Wilford’s typically lively and graceful story in the New York Times. (Brian Switek also has an interesting discussion at scienceblogs.com.) But although Ardi was bigger, Lucy was more advanced in most ways we think of as typically human, including walking. Lucy was much more of a stand-up gal. Despite the drawings, Ardi was likely in climbing mode most of the time: Note the stretched-out arms, huge hands, and relatively short legs.

Ardi’s first bones were discovered in 1992 and scientists have literally been piecing together her story since. At long last she’s having her debutante ball, and — speaking of speed — already she’s a star: Television’s Discovery Channel will air a two-hour special about her, Discovering Ardi, on Oct. 11. She’ll be dressed up in fur for the big event.

This morning, before he left for school, I showed Ardi’s picture to the Smaller Large Smelly Boy.

“She lived 4.4 million years ago,” I said. “That’s pretty old.”

“Yeah, but not as old as you,” he replied. “What was it you were doing on the day of the Big Bang?”

For the record, I was trying to take a nap.

Time Line of the Universe  Credit: NASA/WMAP Science Team; Wikimedia Commons

Time Line of the Universe, with Big Bang. NASA/WMAP Science Team; Wikimedia Commons

A Very American Breakfast with Sojourn

home_image_onthetableHere’s the thing. Arts people have been around a very long time, and no matter how hard you kick ’em around, they keep popping back up.

In Portland recently, people ponied up $120,000 in a single week to save the annual summer Washington Park music festival. They tossed in more than $850,000 to keep Oregon Ballet Theatre from folding.

In the middle of the worst recession/depression since the 1930s, people are somehow helping to pay for things they believe in, and they just keep going to shows. Maybe they’re looking for bargains. But they’re looking, and they’re going.

It’s an ingrained human need, as John Noble Wilford suggests in this morning’s New York Times. Wilford, the Times’ fine science writer, reports on the discovery of a five-hole bone flute in a cave in what’s now southwestern Germany. It’s a sophisticated instrument, apparently with harmonic possibilities not too far removed from a modern flute’s. And it’s at least 35,000 years old — maybe 40,000. It was discovered, Noble reports, “a few feet away from the carved figure of a busty, nude woman, also around 35,000 years old.” As the researchers keep digging I’m hoping they’ll discover the remains of an ancient flagon and complete the Ice Age trifecta: wine, women and song.

So, yes, right now a lot of artists have their hands out. And what’s amazing to me is that so many people are pausing among their own economic problems and doing what they can. Another example: The Portland Ballet, the “other” classically oriented dance company in town, has collected $15,000 from a public drive specifically so it can have live music for its annual performance of the holiday-season ballet La Boutique Fantasque. I don’t know if this is exactly what Barry Johnson meant in his recent Portland Arts Watch post about democratizing the arts, but it’s sure active and participatory.

So just for fun, let’s make the argument that art is as much of a human need as food — or, if that’s too rash, that the urge to make art is as ingrained in the human psyche as the necessity to eat is imprinted on  the human body. Sure, you can survive without art. But the artistic impulse is there, I’ll suggest, in your heartbeat. Everyone’s got rhythm.

And that link between food and art brings me to Sojourn Theatre and its upcoming benefit, A Very American Breakfast, which is happening 7:30-9 in the morning on Wednesday, July 1, at Disjecta, that big inviting space for all sorts of things in the percolating old Kenton neighborhood of North Portland. (Disjecta is having its own first-anniversary party for its Kenton home from 8 to 11 Saturday, June 27; no cover, cash bar.)

Eric Bowman, Oregon Farm, 2007/Froelick GallerySojourn is a Portland-based company that tours the country, developing and performing community-based plays that usually coalesce around specific themes. For the last year, among a myriad of other activities, it’s been working on a new piece called On the Table that looks at food, and how it’s grown and distributed, and the choices we make about it, and the impact it has on various communities. A lot of field reporting (in this case, literally) goes into a typical Sojourn show, and that takes time and resources. Company director Michael Rohd figures the project has another year to go: “The show will happen Summer 2010 simultaneously in PDX and a small town 50 miles from PDX, and explores the urban/rural conversation in Oregon, culminating with a bus trip for both audiences and a final act at an in-between site,” he says.

The benefit breakfast costs $50 (you can make a reservation here, or if that’s too much or too little or you’re going to be out of town, make a donation) and will feature food from Phresh Organic Catering. Disjecta is at 8371 N. Interstae Ave., Portland.

Sojourn doesn’t make a habit of putting its hand out, but there comes a time and place. Here’s part of what Rohd had to say when he spread the word:

“So, we are busy.
And we don’t have a building.
And we are engaged in the most ambitious project of our nearly ten years together.

And, its going to be tough.
This moment right now is tough.
But we believe — go big, or go home.”

In the meantime, breakfast in the shadow of Kenton’s giant Paul Bunyan statue sounds good.

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Another way to look at food and art and cities and rural life: Froelick Gallery‘s exhibit Town & Country: Oregon at 150, which continues through July 11 at the gallery, 714 N.W. Davis St, just off Broadway. This juried group show takes a look at Oregon through its urban/rural geographical divide, which sometimes is a connection as well. That’s Eric Bowman’s 2007 painting “Oregon Farm” above.

Who knows? Maybe someone’s sitting behind the barn, playing a five-hole bone flute. And maybe that’s just all right.