It’s First Thursday tonight. Walk the walk.

Mary Ellen Mark, Ward 81, Oregon State Hospital, Salem, Oregon, 1976  11x14” Vintage Silver Gelatin; Blue Sky Gallery.

By Bob Hicks

Most Portland galleries open their new shows on the first Thursday of each month, and have a little party to go along with it: They stay open, usually, from 6 to 9 in the evening on First Thursdays. This is a big deal for galleries in the Pearl/Northwest and downtown, but it’s far from the only game in town.

Jeffry Mitchell Untitled (foot vase) 2011, 10"x10"6" glazed ceramic; Pulliam Gallery.A bunch of Eastside galleries have First Friday openings instead. The renegades on Northeast Alberta opt for Last Thursdays, upsetting the applecart of neighborhood decorum in the process (although it’s not generally the gallery owners who relieve themselves drunkenly on the neighbors’ lawns). And a lot of places — the museums and college galleries, for instance — go serenely on their own schedules. Disjecta, the North Portland art center, is waiting until Saturday to open its quirky-looking show of folded miniatures, Portland Paper City.

But First Thursday includes most of the big mainstream galleries: It’s the art walk that gets the most horn-tooting. And as the guy who has sex only one time a year says excitedly, Tonight’s the night! Mr. Scatter put together a quick guide to some of the First Thursday highlights for this morning’s Oregonian; you can see it online here.

Kris Hargis, "The Fifth," 2010. Drawing: oil, conte, colored pencil, grease pencil on paper, 20.5 x 16.5 inches. Froelick Gallery. There’s more than this to it, but isn’t there always? Elizabeth Leach Gallery, for instance, holds over Matt McCormick’s historically potent video installation and photo show The Great Northwest from last month, and Bullseye Gallery does the same with Mark Zirpel’s Queries in Glass, an exhibit that merges aesthetics with the gadgetizing of 18th century and Victorian men of science.

Speaking of the Age of Reason, you don’t need to rush out to the galleries tonight unless you really enjoy the scene. The shows will be up all month. If you’re going to look, pick a time when you can see the art without being elbowed aside by the crowds. If you want to buy — well, the earlier the better. And remember that a lot of galleries let their buying customers see the stuff a night before the official opening. That’s why, sometimes, even if you’re there on First Thursday and see a piece you really like, it already has a little red dot beside it. If you think you might want to buy, ask if you can get in early. Next month, that is.

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ILLUSTRATIONS, from top:

  • Mary Ellen Mark, “Ward 81, Oregon State Hospital, Salem, Oregon,” 1976. 11×14” Vintage Silver Gelatin; Blue Sky Gallery.
  • Jeffry Mitchell, Untitled (foot vase) 2011, 10″ x10″ x 6″; glazed ceramic; Pulliam Gallery.
  • Kris Hargis, “The Fifth,” 2010. Drawing: oil, conte, colored pencil, grease pencil on paper, 20.5 x 16.5 inches. Froelick Gallery.

Mr. and Mrs. Scatter go shopping, and they blush to tell the troubled tale

"Clown Face With Blush" by Small Large Smelly Boy, circa 2010, color markerBy Laura Grimes

“Why are we parking here?” (Mr. Scatter is of the misperception that another part of the parking lot is better.)

“So we can walk through the lake on the sidewalk to get to the store safely.”

I scanned the grocery list as we stepped around puddles in the light rain on our way to the One-Stop Shopping Mart.

“I think I’ll get a separate basket because I need to get some things that you won’t want to deal with.”

As if to be helpful and save me the embarrassment of explaining further, Mr. Scatter quickly jumped in.

“Women troubles?”

Continue reading Mr. and Mrs. Scatter go shopping, and they blush to tell the troubled tale

Pardon the interruption, s’il vous plait

Confessionals, Church Gesu Nuovo, Naples. Photo: Heinz-Josef Lücking/Wikimedia Commons.

By Bob Hicks

Bless us, Father, for we have sinned. It’s been six days since we entered our last post here at Art Scatter, which is just … embarrassant. Pardon, if you please. It’s not that we haven’t been busy. In fact, that’s the point. We’ve been so busy we haven’t had time to keep the faith and commit good bloggery. We’ll try to do better.

pandercatalogSo let’s play catch-up.

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On Friday, having survived the Great February Blizzard of 2011, which dropped all of a third of an inch of snow on the Chez Scatter front lawn but managed to snarl the city and shut down its schools, Mr. Scatter took a tour down the valley to the Hallie Ford Museum of Art in Salem to catch Memory and Modern Life, an expansive retrospective of the oils, watercolors and drawings of Henk Pander, the Dutch-born Portland artist.

Continue reading Pardon the interruption, s’il vous plait