Tag Archives: Northwest Dance Project

Bob Hicks, Dance, General

All new, all the time at NW Dance Project

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By Bob Hicks

Ching Ching Wong and Patrick Kilbane in Patrick Delcroix's "Chameleon." Photo: Blaine Truitt Covert.For Portland’s scrappy Northwest Dance Project, putting on a program of three world premieres is just another day at the office. It’s how they roll. I went to the company’s Spring Premieres a few nights ago and posted this piece, Spring awakening: NDP’s torrent of new dance, at Oregon Arts Watch. An excerpt:

“In its Spring Premieres program on Friday and Saturday nights in the Newmark Theatre, NDP rolled out three new dances – Wen Wei Wang‘s Conjugations, Sarah Slipper‘s Airys, and Patrick Delcroix‘s Chameleon. And unlike the weather, which was whipping every which way but loose, these three new dances seemed to be blowing from a similar place. An angsty sort of place; a place that made me think more than once of cartoonist Jules Feiffer’s earnest modern interpretive dancer.”

Ching Ching Wong and Patrick Kilbane in Patrick Delcroix’s “Chameleon.” Photo: Blaine Truitt Covert.

Bob Hicks, Dance, General, Music, Theater

A Japan benefit; theater & dance tips

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UPDATE: On OregonLive, Ryan White has just posted this announcement of a big-name benefit for Japanese disaster relief at the Aladdin Theatre on March 27. So far, the list of performers includes pianist/bandleader Thomas Lauderdale of Pink Martini, singers Holcombe Waller and Storm Large, dancers from Oregon Ballet Theatre, new-music adventurers fEARnoMUSIC, the Pacific Youth Choir, PHAME Academy, the Shanghai Woolies, and singers Ida Rae Cahana and Carl Halvorson. Check Ryan’s post for details.

© Rich Iwasaki 2008© Rich Iwasaki 2008

By Bob Hicks

You’ll be hearing about a lot of benefit performances and emergency fund-raising drives to help the victims of Japan’s triple whammy of earthquake, tsunami and nuclear crisis. Perhaps you’ve already dug deep.

picture-1One performance coming up is particularly close to me, because I serve on the board of Portland Taiko, the outstanding Asian drumming and movement ensemble. At 7 p.m. Tuesday, March 22, PT and the Portland State University Department of Music will host a performance at PSU’s Lincoln Hall Room 175. A lot of people in Portland Taiko have family in Japan. As artistic director Michelle Fujii puts it, “Seeing the tragedy in Japan unfold was difficult for many of us in Portland Taiko on a personal and visceral level.”

Among others, the performance will include Portland Taiko, Takohachi (Japanese taiko and dance), Mexica Tiahui (Aztec drum and dance), Mike Barber (Ten Tiny Dances), Natya Leela Academy (traditional South Indian classical dance), Carla Mann and Jim McGinn (leading Portland contemporary dancers), and Hanzaburo Araki (shakuhachi, the traditional Japanese end-blown flute).

The performance is free, but volunteers from Mercy Corps and other organizations will be on hand to take donations. Hope to see you there.

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Bob Hicks, Dance, General, Music, Theater, Visual Art

Pardon the interruption, s’il vous plait

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Confessionals, Church Gesu Nuovo, Naples. Photo: Heinz-Josef Lücking/Wikimedia Commons.

By Bob Hicks

Bless us, Father, for we have sinned. It’s been six days since we entered our last post here at Art Scatter, which is just … embarrassant. Pardon, if you please. It’s not that we haven’t been busy. In fact, that’s the point. We’ve been so busy we haven’t had time to keep the faith and commit good bloggery. We’ll try to do better.

pandercatalogSo let’s play catch-up.

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On Friday, having survived the Great February Blizzard of 2011, which dropped all of a third of an inch of snow on the Chez Scatter front lawn but managed to snarl the city and shut down its schools, Mr. Scatter took a tour down the valley to the Hallie Ford Museum of Art in Salem to catch Memory and Modern Life, an expansive retrospective of the oils, watercolors and drawings of Henk Pander, the Dutch-born Portland artist.

Continue reading Pardon the interruption, s’il vous plait →

Bob Hicks, Dance, General

Coming up: Dance Flight with Delcroix

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By Bob Hicks

Snow? What snow? It’ll be gone by Sunday (that’s not a promise, only an extreme probability) and you’ll be wanting to get out of the house. Maybe over to Mississippi and Shaver in North Portland, where Northwest Dance Project has its studio.

Choreographer Patrick DelcroixThat’s where I’ll be, starting at 3 p.m., for NDP’s latest Dance Flight — an afternoon of sipping wine, watching rehearsal and then settling in for an informal dance talk with the choreographer. The wine will be French, and so is the choreographer, Patrick Delcroix, whom I’ll interview onstage. The chat should be nice and easy, and I’ll make sure anyone in the audience who wants to ask a question gets the chance. Dance Flight details are here.

Delcroix spent 17 years as a leading dancer with Nederlands Dans Theater, then became assistant to choreographer Jiri Kylian, whose pieces he sets on companies around the world.

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Bob Hicks, Dance, General, Music, Poetry, Visual Art

If it’s Tuesday, this must be art season

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By Bob Hicks

Hard to believe, but here it is late September and already Portland’s fall arts season is in full swing. Somehow things snuck up on Mr. Scatter (he knows he should say “sneaked up,” except he prefers the ancient and slightly disreputable “snuck”), and now he must do some serious catching up.

Some cool-looking things he sees on the near horizon:

Grand Master Seiichi Tanaka of San Francisco Taiko DojoTAIKO UNLEASHED and ROMP STOMP BOOM! A little bit of modern-music history storms the Newmark Theatre stage Saturday and Sunday when Grand Master Seiichi Tanaka and San Francisco Taiko Dojo join Portland Taiko for PT’s fall concerts. In American taiko circles, this is a little like having Scott Joplin, W.C. Handy and Jelly Roll Morton dropping by a modern jazz club for a jam: just how cool can these original stick-swinging cats be?

In a sense, Tanaka is the father of North American taiko (the contemporary, ensemble approach to the ancient Japanese drumming traces only to 1959 in Japan), and over the years since the young postwar immigrant founded it in 1968, San Francisco Taiko Dojo has gained near-legendary status. Stylistically and inspirationally, Tanaka and his group have been key players in the extraordinary spread of modern taiko across North America.

The players of Portland Taiko, one of America’s handful of professional ensembles, are no slouches, either. (Mr. Scatter likes Portland Taiko so much, he’s on its board.) Wear your raincoats: this could be a tsunami of sound. 8 p.m. Saturday, Oct. 2, and 2 p.m. Sunday, Oct. 3; shorter family matinee Romp Stomp Boom! at 2 p.m. Saturday, Oct. 2.

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Dance, General, Martha Ullman West, Theater

So much dance we can’t keep up

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It’s not just rock around the clock in Puddletown: It’s dance around the calendar. Autumn, winter, spring and even summer, you just can’t keep this town’s dancing feet down. Art Scatter senior correspondent Martha Ullman West has done her best to keep up with the action, and reports here on some of what’s been kickin’ in town lately.

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By Martha Ullman West

Portland is having a dance boom, even though those who swim in Terpsichore’s wake are having a hell of a time staying afloat.

Danielle Vermette, Darren McCarthy in "Backs Like That." Photo: Sumi WuUsed to be things were winding down by the time you reached the summer solstice, and there definitely was a time when addicts like me found it impossible to get any kind of movement fix once the Rose Festival was over. Not this year — I actually had to make choices, not having managed the art of being in two or three places at once. So to several emerging choreographers as well as some much more established ones, I apologize for not making it to their performances and herewith offer some thoughts on those I did see.

I’ll start with Carol Triffle’s new musical Backs Like That, which I saw on June 18th. It’s the latest in her series of quirky commentaries on what Balzac called the human comedy, with more than a little irony implied, and as usual with an Imago piece, it is greatly involved with movement.

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Books, Dance, General

Reminder: Dance Flight this afternoon

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I’ll be at Northwest Dance Project‘s studio in North Portland this afternoon for an onstage chat with Luca Veggetti, the Paris-based Italian choreographer who’s in town to update his dance Ensemble for Somnambulists, which he created on the company dancers in 2006.

Choreographer Luca VeggettiThis should be interesting. I sat in on a rehearsal a few days ago and afterwards talked with Veggetti for about 20 minutes. He’s smart and eloquent (he speaks five languages, fortunately including English), with a lot to say about his own background and the state of dance in general. He also has strong background in experimental theater and opera (“I was raised at La Scala,” he says) so his outlook is broad.

The format is the same as last Sunday, when I had a good talk with Maurice Causey, a freelance choreographer associated closely with Nederlands Dans Theater. Show up at 3 p.m., have some wine and cheese, watch a brisk rehearsal, then get ready for the interview. Last week a lot of people in the crowd asked questions, and I expect the same today. Address: 833 N. Shaver Street, just off of Mississippi Avenue. Suggested donation is $20 ($10 students), which helps pay for the event.

Veggetti and Causey will each have a piece in Northwest Dance Project’s spring performances, which will also include two dances by artistic director Sarah Slipper, March 12-13 at the Newmark Theatre.

Bob Hicks, Dance, General

Random Dance, and other movements

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Random Dance, coming to White Bird and the Newmark.

Mr. Scatter is not a dancer. This may seem odd, considering the number of dance posts that have been on this site of late (or maybe, once you’ve read them, it seems painfully obvious), but that is partly a matter of coincidence. There’s been a lot of dance in town lately, and more is on the way.

We’re talking, of course, about presentational dance, art dance, dance as performance — not the social dance that Mr. Scatter did not learn in the 1950s and 1960s, when he suffered from a not uncommon affliction known as Two Left Feet, complicated by a textbook case of shyaroundgirlitis. Yes, he did go to his senior prom. He was in the band. The perfect end-run.

Mr. Scatter's unfortunate childhood affliction.Watching dance, on the other hand, is a longtime pleasure, one that slides from tap to tango, classic to contemporary, Broadway to ballet. And it strikes Mr. Scatter that, while a lot of people weren’t looking, Portland’s become a heck of a dance town.

Oregon Ballet Theatre is somewhere near the middle of it all, continuing its lovely performances of Christopher Stowell‘s A Midsummer Night’s Dream and George Balanchine‘s The Four Temperaments through Saturday at Keller Auditorium.

And surely much of this renaissance can be laid at the feet of White Bird, which has routinely brought the un-routine to Portland audiences, exposing the city to worldwide dance ideas. Fresh from Hubbard Street, which has barely had a chance to skip back to Chicago, here White Bird comes again, this time presenting England’s Random Dance (that’s them in the photo above) Thursday through Saturday in the Newmark Theatre. The piece, Entity, by company leader Wayne McGregor, runs an hour and is reputed to be fast and furious. It also marks the end of White Bird’s two-year Uncaged series, which has spotted dance in adventurous spaces around town while it’s waited for its regular second-season home, Lincoln Performance Hall, to be refurbished. That’ll be done by the start of next season.

But as important as they are, the scene is far from just OBT and White Bird. Keep an eye out for these upcoming events, too. (The dance action’s so hot and heavy that we’re sure we’re missing something; we apologize in advance.):
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Bob Hicks, Dance, Film, General, Music, Theater, Visual Art

39 steps to a new and better Mr. Scatter

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Leif Norby on the lam in "Alfred Hitchcock's 'The 39 Steps'" at Portland Center Stage. Photo: OWEN CAREY

It’s been a busy few days around Scattertown.

First, on Thursday night, Mr. and Mrs. Scatter took a break from the gala festivities of Science Night at Irvington Elementary School to scoot up the hill to Talisman Gallery on Alberta, where their friend Cibyl Shinju Kavan was having an opening of new assemblages. Scrolls, bamboo, feathers and rocks figure into the work, which is quite pleasing.

Cibyl Shinju Kavan at Talisman GalleryThen, at midday Friday, the Scatter duo showed up at the Gerding Theater in the Armory to see dancer Linda Austin and her cohort J.P. Jenkins tear up the joint with a fascinating visual, musical and movement response to Mark Applebaum‘s elegant series of notational panels, The Metaphysics of Notation, which has been ringing the mezzanine railings above the Gerding lobby for the past month. Every Friday at noon someone has been interpreting this extremely open-ended score, and this was the final exploration. California composer Applebaum will be one of the featured artists this Friday at the Hollywood Theatre in the latest concert by Third Angle New Music Ensemble, the band of contemporary-music upstarts for whom Mrs. Scatter toils ceaselessly.

Austin and Jenkins began by racing around the mezzanine and literally playing the hollow-steel guard rail, which was quite fun. They moved from pre-plotted base to pre-plotted base, always coming up with surprises, as the small crowd followed like Hamelin rats mesmerized by a piper’s tune. Mr. Scatter enjoyed the red fuzzy bargain-store microphone and the Sneezing Chorus and especially the shower of discarded clothing items floating down from the mezzanine into the path of the startled flower-delivery guy in the lobby below. Mr. Scatter took no photos, partly because the little camera doohickey on his cellular telephone is pretty much useless for anything more complicated than an extreme closeup snapshot of an extremely still object, and partly because he was just having too much fun to bother. But Lisa Radon of ultra was more disciplined and took some fine shots which you can ogle on her site.

On Friday evening it was back to the Gerding for opening night of Portland Center Stage‘s comedy Alfred Hitchcock’s ‘The 39 Steps,’ which takes the 1935 movie thriller and blows it to preposterous proportions.

Continue reading 39 steps to a new and better Mr. Scatter →

Bob Hicks, Dance, General

Mr. Scatter’s Sunday: Dance, chat, wine

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The magnolia tree in Mr. and Mrs. Scatter’s front yard is budding. The handsome old plum trees a couple of doors down are in deep pink. And like an old tired bear stretching and yawning after a long winter’s nap, Mr. Scatter is cautiously poking his nose out of the cave and making a few public appearances.

You might recall his recent pre-game patter at White Bird‘s presentation of Hubbard Street Dance Chicago, or his stint of instant analysis from the broadcasting booth of Portland Opera‘s Orphee.

Choreographer Maurice CauseyFor the next two Sunday afternoons he’ll be ambling over to the Northwest Dance Project studio just off North Mississippi Street (not all that far, as it happens, from the Scatter cave) to moderate talks with a couple of very interesting guest choreographers who are setting new work on the company for its spring performances.

The afternoons are called Dance Flights, and they’ll be casual, intimate affairs, a nice place to duck into and out of the rain. This Sunday’s chat will be with Maurice Causey (inset photo above), an independent choreographer identified closely with Nederlands Dans Theater (he’s been ballet master there, and also at the Royal Swedish Ballet) and with Ballet Frankfurt, where he was a principal dancer for William Forsythe for several years. On Tuesday I watched a couple of hours of Causey’s early rehearsal with the NDP dancers, and I’m eager to see what’s happened in the ensuing days.

Choreographer Luca VeggettiNext Sunday, March 7, the guest will be the Paris-based Italian choreographer Luca Veggetti (photo at right), whose career has roamed from La Scala Milan to London, Pennsylvania, Chicago, New York City Ballet and beyond. In 2000 he was the first Italian choreographer in the 20th century to set a piece on the dancers of the legendary Mariinsky (Kirov) Ballet in St. Petersburg.

The format is this: Drop in, have a little nibble and a glass of wine, watch the dancers perform the pieces, then settle in for the talks. I’ll mainly ask the choreographers to talk about their backgrounds and their approach to dance, and I’ll encourage people in the audience to toss in their own questions. Very informal.

Each Dance Flight begins at 3 p.m. at the Northwest Dance Project studio, a pleasant, big-windowed space at 833 N. Shaver Street, just off of Mississippi Avenue. Suggested donation is $20 ($10 students), which helps pay for the events.

Northwest Dance Project’s spring performances, which will include the new works by Causey and Veggetti plus two pieces by artistic director Sarah Slipper, will be March 12-13 at the Newmark Theatre.