Sometimes you write a post purely as an excuse to run a picture you’ve fallen in love with. This is one of those times.
That kid crawling out of the picture frame is from an 1874 trompe l’oiel painting by Pere Borell del Caso, and he lives at the Banco de Espana in Madrid. The title of the painting? Escaping Criticism. Seems Pere Borell had some issues with the nattering nabobs of the press, and he whipped up a pretty foolproof case for himself.
Escaping Criticism is part of the exhibit Genuine Illusions: The Art of Trompe-l’oiel, which opens Feb. 13 at the Bucerius Kunst Forum in Hamburg. Besides fooling the eye, trompe-l’oiel is about wit: It has fun fooling you, and you have fun back. Critics be damned, right, kid?
Read more about it at Art Knowledge News.
A couple of weeks ago the Oregon Jewish Museum reopened in new, much bigger quarters on Northwest Kearney Street in Portland, and I wrote about it in last Friday’s A&E section of The Oregonian. You can read that story, which discusses the new space’s first big show, The Shape of Time, here.
One thing I didn’t mention in that story: The museum shares a parking lot with its neighbor ComedySportz. Culture is all about collaboration these days, so think of the possibilities. Jewish humor is vital to the American comedy scene — it’s almost as if Jews invented American comedy, especially the urban variety. What might the Jewish Museum and the improvimaniacs at ComedySportz cook up besides parking Priuses if they really got their heads together?
Just a thought.