The inauguration: a high-flying day to remember



Our neighbor Barb had a bunch of people over this morning to watch the inauguration ceremonies, and the mood was festive: Coffee and bubbly for breakfast will do that.
But it wasn’t just the refreshment. There was relief, and anticipation, and — OK, yes — hope. A sense that, as another neighbor, Karen, put it, “now we can have our flag back.” And indeed, she and her husband Ted had hung theirs on their front porch. Inspired, my wife followed suit. Beats all those years we’ve had the “Don’t Tread on Me” flag folded in the bedroom drawer.

What struck me most during this long but compelling (and by the looks of it, very cold) morning was that the power of language has reasserted itself at the center of our national conversation.
Like Franklin Roosevelt and Martin Luther King Jr. and his model, Abraham Lincoln, Barack Obama speaks with a plain but lofty straightforwardness. He assumes a certain level of intelligence on the part of his listeners, an ability to follow an argument. He was gracious in victory, which might be a tougher task than being gracious in defeat. He talked down to no one, but encouraged everyone to look up. When he spoke to a particular constituency it was not, as is usual with politicians, with an air of pandering or cynical duplicity but with a measure of inclusiveness and respect. And he melded, as no other politician I can think of since John F. Kennedy, the descriptive and inspirational aspects of language: a vision, yes, but also a caution that realizing a vision requires hard work. Obama’s pie is not in the sky. It’s grounded, practical, sustaining. And if it’s his recipe, it takes a lot of cooks.

I have no illusion that miracles will be worked. Barack Obama waves no wands, and he will make mistakes — probably a lot of them. He is only, it seems prudent to remind some of his more fervid followers, human. But he represents in so many ways the best of what being human means. And by loving and respecting language — by being able to articulate both his own goals and his vision of what our vast and intermingled culture can and ought to be — he helps all of us articulate our own roles in the body politic.

I’ve long believed that Abraham Lincoln is one of the tiny handful of genuine literary geniuses the United States has produced.
In the beginning was the word, and it created reality. Oratorically, Obama is is no Lincoln, at least not yet: For clarity and conciseness and passion tethered to intelligence, nothing can match the Gettysburg Address. But clearly, from a literary point of view, Obama is in the Lincoln grain. He has the gifts to be, in the Lincolnian sense, a citizen artist. And it’s been a long time since the White House has seen the likes of that.

So, let the flag fly. Maybe this time, we can look at it as a promise and not a provocation.

King, Obama, TR and Taft: thoughts about America

Today, on Martin Luther King Jr. Day, I’m thinking not just about the great civil rights leader but also about the state of the nation — where we’ve been, where we are, where we might be going. That leads me to reflections on a couple of former presidents, and also on the challenges facing our newest president, Barack Hussein Obama, who will be sworn into office tomorrow. And I’m thinking of what advice Dr. King, who never held a public office but was one of our greatest leaders ever, might have for Mr. Obama, who takes office at a time of multiple perils and instability.

So, first: to Teddy Roosevelt and William Howard Taft, the man who succeeded TR as president in 1908 and whose bid for a second term Roosevelt scuttled in his own failed third-party campaign in 1912, awarding the presidency to the Democratic candidate, Woodrow Wilson. We don’t usually think of Taft as one of our more nimble presidential thinkers, but he did have his moments, as Candice Millard passes along in her fine book The River of Doubt: Theodore Roosevelt’s Darkest Journey, which we discussed earlier here. Here’s what Taft had to say about the man who first put him into the White House and later kicked him out:

“The truth is, he believes in war and wishes to be a Napoleon and to die in the battle field. He has the spirit of the old berserkers.”

Roosevelt was a great man, but we’ve had enough of that. You can’t say George W. Bush has the spirit of a berserker — this is not a man who wants to go onto a battlefield and join in the carnage himself — but he has acted with an impetuous relish for war when patience and diplomacy would have served the entire world far better. Obama, we have the feeling, is not a rash man. Yet, as all presidents are, he will always be pushed by those advising quick and violent action.

So it’s good — not just today, but all days — to listen to Dr. King. Here are a few of his thoughts, for Barack Obama and for all of us:

“Have we not come to such an impasse in the modern world that we must love our enemies – or else? The chain reaction of evil – hate begetting hate, wars producing more wars – must be broken, or else we shall be plunged into the dark abyss of annihilation.”

“Never forget that everything Hitler did in Germany was legal.”

“Nothing in the world is more dangerous than sincere ignorance and conscientious stupidity.”

“One of the greatest casualties of the war in Vietnam is the Great Society… shot down on the battlefield of Vietnam.”

“Peace is not merely a distant goal that we seek, but a means by which we arrive at that goal.”

“Rarely do we find men who willingly engage in hard, solid thinking. There is an almost universal quest for easy answers and half-baked solutions. Nothing pains some people more than having to think.”

“War is a poor chisel to carve out tomorrow.”

“All progress is precarious, and the solution of one problem brings us face to face with another problem.”

We’re No. 1 with a dart! (pass it along)

Actually, it’s a multiply shared No. 1, a sort of pay-it-forward No. 1, a chain-letter pat on the back that feels nice and warm and fuzzy.

From somewhere out of the blue (OK, it was from our cyberspace friend Rose City Reader, the literary omnivore who in the real world hangs out just a few blocks away) comes to Art Scatter the Premios Dardo Award.

It’s not the Nobel, it’s not an Oscar or even a Pulitzer. But neither is it a Bernie Madoff-style Ponzi scheme. No money changes hands (isn’t that just life in the blogosphere, though?). The Premios Dardo robs no one of their dignity or life savings. It’s simply a way of saying, we like what you do, and we’d like you to tell us whose work you admire on the Web. Fair enough. A lot of wheezing takes place on the Net, and one good way to get to the fresh air is to listen to recommendations from people you trust.

We haven’t been able to track down where the Premios Dardo Awards began or who’s behind them, but it really doesn’t matter. By this point it’s a crazy quilt stretched loosely across the globe, and we’re happy to add our few stitches to the pattern. (As near as our feeble translating abilities can figure out, by the way, “Premios Dardo” means roughly “Top Dart.”)

Here are the rules:

1) Accept the award, post it on your blog together with the name of the person that has granted the award and his or her blog link.

2) Pass the award to another 15 blogs that are worthy of this acknowledgment.

3) Remember to contact each of them to let them know they have been chosen for this award.

So, here goes. Here’s our pick of 15, listed in that boring-but-still-useful old alphabetical order. If you haven’t already, give ’em a look. You might find some new friends:

Bunny With an Art Blog

Charles Noble’s Daily Observations

Culture Shock

Dave Allen’s Pampelmoose

Dramma per Musica

Little Red Bike Cafe

Mark Russell’s CulturePulp

Mead Hunter’s Blogorrhea

Port

Portland Architecture

Portland Spaces/Burnside Blog

Reading Copy Book Blog

Splattworks

Third Angle Music Blog

TJ Norris

Bad Boys, baby dolls and dance as schlock therapy

Regular Art Scatter contributor Martha Ullman West, a noted national dance writer, went to see White Bird’s presentation of the Bad Boys of Dance at Portland’s Newmark Theatre on Thursday night. She was not amused. But as usual, her take on the performance is both amusing and enlightening. Here’s her report:


I’ve never much cared for dancing dolls,
including those in the first act of The Nutcracker; Coppelia, in which there are a slew of them; and Petrouchka. Mary Oslund made an interesting piece with dolls as a metaphor of sorts some years ago — Reflex Doll it was called, and it was a witty antidote to The Nutcracker, since it premiered in December. And Mark Morris made an extremely unpleasant and powerful piece about child abuse called Lovey, in which his dancers performed with small, naked baby dolls.


But the Bad Boys of Dance really took the mickey
on Thursday night when they came pouring onto the stage of the Newmark Theater in the fourth piece on a program of entertaining enough if derivative dances bearing life-sized inflatable mannequins (boynequins?) that looked a hell of a lot like sex dolls. And accompanied, for god’s sake, by a recording of Maria Callas singing the habanera from Carmen. The audience adored it. I wanted to walk out.

Continue reading Bad Boys, baby dolls and dance as schlock therapy

Scatter links, therefore scatter jams

Scatter hasn’t been lolling in the mud baths, again, daiqueri close to hand, shrimp grilling nearby on the barbie and hammock beckoning. Oh no. We’ve been busy. I started to say “burning the midnight oil”, but somewhere along the line we’ve lost that cliche, haven’t we — it wasn’t enough that the technology changed, now the expression suggests that you’re not properly attuned to coming global climate catastrophes. So no midnight oil, but busy nonetheless.

There’s been lots of news we’ve followed but not commented upon as yet, and over at my other home, Portland Arts Watch, I have posted the following:

1. An account of another of Randy Gragg’s Bright City Light series, this one with Miguel Rosales, who is working with TriMet on the new light rail/pedestrian bridge over the Willamette River, between the Marquam and Ross Island bridges. Rosales is very convincing, so convincing that I’m following up that post with a column about it all in Monday’s Oregonian. You read it here first!

2. Michael Pollan was here Tuesday night,
encouraging us to do what we’re already trying to do, which is eat sensibly. I had my notebook out and wrote that up, too. His primary message: figure out what real food is and eat it. Pay no attention to the men in white lab coats and their studied extolling this or debunking that. Oh, and get some exercise. Of course, this is harder advice to follow than it sounds.

3. “The Seafarer” and three of its principals, Allen Nause, Bill Geisslinger and Denis Arndt got yet another post, this one long and more, um, Scatter-y.

So, if any of those interest you at all, by all means make the neuronal leap through the ether. I informed visitors at Portland Arts Watch that if they wanted some super-long posts on Willa Dorsey, Camas (which we know is really spelled Kamass, right?), wapato and Blue Cranes meet Charles Ives, they should come over here. Swamp potatoes! Yummy!
Continue reading Scatter links, therefore scatter jams

Willa Dorsey, 1933-2009: Farewell to God’s golden voice

Sad news in this morning’s Oregonian, as reported by Nancy Haught: Willa Dorsey, the great gospel singer who lived in Portland between her worldwide rambles, died Jan. 5 after a series of strokes. She was 75. Her funeral will be at 11 a.m. Wednesday at the International Fellowship Family, 4401 N.E. 122nd Ave., Portland.

Despite her high-flying career, Dorsey wasn’t terrifically well-known in her adopted home town — except in church circles and among fellow musicians. She was a sweet woman with an amazing voice, and a fine pianist, and she somehow managed to combine down-home humility with a regal air. I spent some time with her in 1991, working on some stories for The Oregonian on gospel music and its influence on American art and culture, and I’ve remembered her fondly ever since, although in the succeeding years I ran into her only two or three times. In her memory — and to introduce Willa to those of you who never knew her or her music — I’m going to post two stories that originally ran in The Oregonian on Dec. 22, 1991. These are time capsules, but they get at something of the spirit of Willa’s music and remarkable life. This post is a profile of Willa; the one below is its companion story about gospel music, and it includes more information about her. Goodbye, Willa. As you would have said, God bless.

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It might have been 1939, she thinks. Young Willa Dorsey, maybe 6 years old, was playing outside, idly running through a few tunes she’d heard at church.

Suddenly she heard her mother, alert and mildly worried, calling sharply from inside:

“Who’s out there with you?”

“I said, `No one,’ ” Dorsey recalls with amusement.

“She said, `There has to be. I heard someone singing.’

“I said, `That’s me.’ ”

Dorsey pauses, then leaps into her punchline:

“And she didn’t believe me!”

No wonder: It just sounded too good. But a couple of quick demonstrations convinced Mr. and Mrs. Dorsey that their daughter had been hiding a special talent — “a God-given gift,” as Willa firmly puts it. Soon she was singing on stages in her home town of Atlanta, Ga.

For half a century, she hasn’t stopped.

Now 58, Dorsey is Portland’s most prominent gospel singer, though most of her performances are out of town. She can look back on a career that’s taken her to national television audiences, to presidential prayer breakfasts (“Mrs. Bush and I are friends,” she says offhandedly. “We correspond.”), to featured roles in several Billy Graham crusades, and around the world for acclaimed performances in countries as far-flung as Germany, Sri Lanka, Brazil and Japan. She’s as comfortable with a 90-piece symphony orchestra or a 2,000-voice choir as she is alone behind a piano keyboard.

And she’s still singing those songs she heard in church.

Continue reading Willa Dorsey, 1933-2009: Farewell to God’s golden voice

The river of gospel, running through America

Like the post above, this story — which ran originally in The Oregonian on Dec. 22, 1991 — is a tribute to the great gospel singer Willa Dorsey, who died in Portland on Jan. 5 at age 75. Above is my profile of Dorsey from 17 years ago. Here is its companion piece, about the role of gospel music in American art and culture, with more contributions from Dorsey. May she sing with the angels.

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“O sing unto the Lord a new song, for He hath done marvelous things. With trumpets and sound of cornet make a joyful noise before the Lord, thy King.” — Psalm 98

“Why should the devil have all the good tunes?” — John Wesley (1703-1791), founder of Methodism

Like a great river rolling underground, American gospel music is a fount of life bubbling just below public consciousness. Maybe you don’t know it’s there. But it’s been nourishing you all your life.

Born in the churches and nurtured as a celebration and protection against emotional harm, black gospel music has watered an astonishing amount of the country’s popular music — blues, jazz, rhythm and blues, street corner do-wop, rock ‘n’ roll, soul, even contemporary pop by the likes of Prince and Michael Jackson.

As Christmas approaches, Americans are caught up in other countries’ musical traditions: carols from England; high-church music from Germany and Italy; “Nutcracker” fantasies courtesy of a melodic, grandfatherly 19th-century Russian.

But there is also a sound of celebration much closer to the native grain: as close as the doors to such North and Northeast Portland churches as Maranatha and Mt. Olivet Baptist. In those vibrant congregations and others like them, the flame of a peculiarly American tradition is kept enthusiastically alive.

Continue reading The river of gospel, running through America

Looking at Noise, or Why We Love the Blue Cranes

This is about the spot I was standing when a train passing below and the Blue Cranes in my earphones intersected in a musical way.

We walk or drive around Portland, and we are bombarded – by signs, buildings, sound, traffic, information of all sorts, every possible corner filled with the cultural stuff of the modern city, the air a battlefield of warring noises. We rush by it and through it all quickly because we couldn’t possibly pay attention to all of it, maybe any of it, if we want to focus on things that matter.

Which is all another way of saying: The city sometimes sings out to us in unexpected ways.

A few days before the Great Christmas Whiteout of 2008, I found myself listening to the new CD by the Portland jazz band Blue Cranes, “Homing Patterns,” as I walked to work. I like the energy of the band, the collage of blues, rock and noise, and I like the melodies Reed Wallsmith and Sly Pig wander through on their saxophones. Every now and then, the horns in the band collide, often in a chord, an interesting chord, that expands into another chord and then another, each one pushed to the limit of breath, to the point of honking.

Anyway, I had reached the pedestrian bridge over the railroad tracks on Portland’s east side (about where the photo above was taken), right before you get to the Esplanade and the Steel Bridge. The rail line at that place curves deeply, and as I approached a long freight train, with graffiti-embellished boxcars and flatcars, lumbered underneath. They do not do this silently. They grumble along, of course, but because of the curve, they also squeal sometimes, a teeth-gnashing vibration that makes your fillings hurt.

But here, at this particular intersection, something happened: The screech of that train finished off one of those bleating Blue Cranes chords. Slid up the scale a little and finished it off. It was exactly the right note, somehow, and it pulled me up short as the delight of it all dawned on me. Amazing. The perfect sonic accident.
Continue reading Looking at Noise, or Why We Love the Blue Cranes

A little light scatter clarification biz

Monday’s edition of The Oregonian has a column in its How We Live section written by the feckless Art Scatter correspondent who addresses you now. Which would be me. It’s highly entertaining! And it’s available as part of a blog, called Portland Arts Watch, that I’ve started on OregonLive. Also posted there: an encounter with Mead Hunter and Patrick Wohlmut that I had last Monday when Patrick’s play Continuum received a reading at Portland Center Stage.

My hope is that you’ll include Portland Arts Watch in your regular surfing sprees. I’ll be doing a lot of basic arts reporting over there, and save my more speculative (and off-topic, off-color or just plain off) posts for home base here at Art Scatter. At least that’s the plan for the present. Don’t worry, it won’t be all archaeology all the time… promise. Commenting on OregonLive can be a bit of a pain at times, but it’s far easier than it used to be, and I’m hoping some of you make the jump and start up some good conversation over there.

Anthro-fantasy: Leaping about the Kamass patch

When we left you, the snass was upon us and the cole snass was a very recent memory. Both rain and snow encourage indoor pursuits — basketmaking, for example, among the tribes of the lower Columbia, including the Multnomah, who lived where I sit and type now. Without having gathered the appropriate reeds for basketmaking, I was left to my own devices, Internet devices, and I ran across two stories with Oregon connections: specifically, they were both based on research by archaeologists with Northwest roots. Both of them led me to the beginning of human habitation on the Columbia River, which is still a space that we can occupy imaginatively, because the details are so sketchy.

For grounding, I turned to Melissa Darby, an expert in these matters. She was part of suddenly, an ongoing meditation about the ideas of Thomas Sieverts, which we visited below, and as organizer Matthew Stadler suggests in the post immediately preceding, taking part in their ongoing discussion is a good idea. But I’m afraid I have to take responsibility for the conclusions to which I’ve leaped here. (After the jump: Killer comets! Cake! Idle anthropological speculation! Recipes! More!)
Continue reading Anthro-fantasy: Leaping about the Kamass patch

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