By Bob Hicks
Portland, a city at last? It’s just possible that Peter Pan is growing up.
Last weekend I saw three plays – the premiere of The Storm in the Barn at Oregon Children’s Theatre; Next to Normal at Artists Rep; and The Bridge, an adaptation of Thornton Wilder’s novel The Bridge of San Luis Rey, at Cerimon House. The experience led to this post, What if we woke up and found we’re a city?, on Oregon Arts Watch.
In the post, I discover myself wandering amid “an unruly flowering of culture, often in surprising places.” An excerpt:
“It’s easy to poke fun at it, Portlandia-style. And in the not-so-grand Portland tradition it’s still being done on a broken shoestring. To be clear: Portland isn’t New York or Chicago or Los Angeles, despite a lot of hopeful hype. For one thing, those cities actually put their money where their mouths are. Plus, they’re simply bigger, and size does make a difference. Yet there’s little denying: In spite of ourselves, we’re in the midst of a cultural revolution. And the seeds are blowing all over the place.
“Simple fact: It’s impossible for any one person to keep up with all the theater happening in town. Can’t be done. That alone suggests the end of township and the beginning of city status: Cities are places that are too big to be known. In a real city, no matter how well you know it, you’re always also a stranger. And that can be exciting.”
Photo by Owen Carey: Jack Clevenger in “The Storm in the Barn”