Tag Archives: Dorothea Lange

China, Wordstock, studios, ballet: What a weekend!

Days at the Cotton Candy #4, copyright Maleonn

ABOVE: “Days at the Cotton Candy #4,” copyright Maleonn, in China Design Now. INSET BELOW: “Graphic Design in China,” poster for the 1992 exhibition, copyright Chen Shaohua. Both photos courtesy Portland Art Museum.


Quick notes on a Thursday evening:

CHINA DESIGN NOW. I took a much too rapid walk through the installation at the Portland Art Museum this afternoon, and this show’s going to be a dazzler. It opens Saturday and runs through Jan. 17, and you won’t want to miss it. The sheer eye candy is amazing: China’s surge into the 21st century grabs hold of the nation’s traditional love for brilliant color and reshapes it in amazing ways. The show, which originated at London’s Victoria and Albert Museum, is barely a scratch on the surface of the new China. But, my, the things you see! An important show for Portland because of the Pacific Rim connection, it’s also a whole lot of fun. I have a short table-setting preview in Friday’s A&E section of The Oregonian, and D.K. Row, the O’s lead art critic, will analyze the feast soon. Look for both.

Graphic Design in China, poster for the 1992 exhibition. Copyright Chen ShaohuaWORDSTOCK. Portland’s annual writers’ frenzy heads into its big weekend at the Oregon Convention Center with talks, workshops and publishers’ booths Saturday and Sunday. About a zillion Northwest writers will join such A-list types as James Ellroy and Sherman Alexie. Jeff Baker ran a good preview last week in the O. Willamette Week had some good interviews with participating writers on Wednesday, and I had a handful of interviews with participating writers (young adult novelist Rosanne Parry, mystery man Pierre Ouellette/Pierre Davis, Pendleton Round-Up historian Ann Terry Hill, poet Mark Thalman, kids’ writers Dawn Prochovnic and Brian Martin) in this morning’s Washington County edition of the O. The Wordstock Web site has the schedule; should be a kick.

PORTLAND OPEN STUDIOS. This weekend and next, 100 artists’ studios across greater Portland will throw their doors open and welcome visitors. You can see who, where and when here. I should have a bigger piece posted in a few hours. Grab your map and make your plans.

OREGON BALLET THEATRE. Time to forget the offstage drama and remind yourself of why we care about this brilliant troupe of dancers. This retrospective program, which opens Saturday in Keller Auditorium, features George Balanchine’s celebrated Emerald plus excerpts from a whole lot of highlights from OBT’s own history: Dennis Spaight’s Gloria and Ellington Suite; Trey McIntyre’s Speak; Bebe Miller’s A Certain Depth of Heart, Also Love; Julia Adam’s il nodo; Yuri Possokhov’s La Valse; James Kudelka’s Almost Mozart; and artistic director Christopher Stowell’s Eyes on You and A Midsummer Night’s Dream. That’s a knockout of a program. Details here.

DOROTHEA LANGE IN OREGON. In the late 1930s the great photographic documentarian took a large number of photos of Oregon farmers and farm laborers for the federal Farm Security Administration, and the results are a rare combination of art, history and social comment. A selection from those 500-plus images has just opened in the Littman Gallery at Portland State University, and it should be worth going out of your way to catch. The campus paper, the Vanguard, has the story.

CLASSICAL RADIO’S FUND DRIVE. I’ve spent a fair amount of the last few days in my car (don’t ask), and that means I’ve been listening to a fair amount of classical station KQAC during its fall fund drive. Is it my imagination, or has it been a little harder than usual to shake money out of the tree this time around? Seems like every hour the station’s been falling short of its announced goal. I like this station. I wish it were more adventurous in its programming — I’d love to have a more liberal dose of contemporary and even 20th century stuff in the mix — and I shudder every time I hear a listener’s comment that classical music “soothes” them, as if it were some sort of handy on-demand muscle relaxant. But KQAC is an extremely important part of the city’s cultural fabric, and on the whole it does a good job, and it should succeed. Spare a buck?

Weekend reminder: It’s taiko and Bartow, together again

pt-fallposter3Portland Taiko is 15 years old, which in people time would mean it’s itching to get a driver’s license but in Arts Group Years means it’s long out of those troublesome teen years and well into its energetic adulthood. Still growing, still learning, but with the assurance that comes with the self-confidence that comes with mastery of key skills.

Plus, that drumming’s really fun.

On Saturday and Sunday Portland Taiko‘s big fall concert, Oregon Lost & Found, will shake the rafters at the Newmark Theatre in downtown Portland (or would, if the Newmark had rafters instead of that cool dome thing on top). Artistic director Michelle Fujii and the full taiko orchestra will be joined onstage by guest performers Ann Ishimaru and Zack Semke, who founded the company, and that should make for a celebratory reunion.

Add the superb visual artist Rick Bartow to the mix and things could really start to fly. Bartow, whose work so often incorporates the image of Coyote, the trickster of Native American lore, will be onstage painting while the drummers play. I’ve watched Rick work in his studio on the Oregon coast — he likes to crank up the boom box while he’s creating — and it’s a fascinating experience. I have high hopes for this show.

Performances are at 8 p.m. Saturday and 2 p.m. Sunday, with a shorter kids’ show, Taiko Show & Tell, at 1 p.m. Saturday. Tickets online here or at 800-982-2787.

As a PT board member I’ll even be on hand Saturday night and at the Sunday kids’ matinee to give a curtain speech. I promise to keep it short — on with the show! — and to remind you nicely to turn off your cell phones and for god’s sake stop that infernal Twittering.

And maybe you’ll get a chance to pick up a copy of the group’s new CD, Rhythms of Change. I wrote about sitting in on one of the recording sessions way back in April.


Sticking with a Japanese American theme, I’m intrigued by this notice from Reed College about an upcoming talk by  Linda Gordon called Impounded: Dorothea Lange’s Censored Images of Japanese American Internment.

Throwing the book at internment.It’ll be at 7 p.m. Wednesday, Oct. 7, in the college’s Vollum Lecture Hall, and it’s free.

Dorothea Lange was a startlingly good documentary photographer, maybe best-known for her studies of poor rural and small-town people and their lives in the Depression years and later. Apparently her work in Japanese American internment camps was too hot to handle, at least for the government officials who hired her. Her images didn’t show the official-version happy holding tank, and 97 percent of them were never published during those crucial years when they might have made a difference.

In her 2006 book Impounded: Dorothea Lange and Japanese Americans in World War II, Gordon, a professor of history at New York University, and her co-editor, Gary Y. Okihiro,  published and discussed 119 impounded photographs Lange took in the internment camps.

It can take a long, long time. But the truth has a way of eventually sqeaking through the bars of censorship.