Tag Archives: Katherine Dunn

Goodbye, PDX Writer Daily. Hello, Propeller.

This morning I discovered that the venerable (blogospherically speaking) PDX Writer Daily has closed shop and many of its perpetrators have begun a magazine, Propeller.

propeller1coverA project of the Portland State University Writing Center, PDX Writer Daily had taken a long summer sabbatical that stretched into fall, and so I hadn’t checked it in a while.

The new magazine, which you can flip through online, looks good, and I wish it well. But I’ll miss PDX Writer Daily, too. It was witty, just a little gossipy (in that discreet academic way), often insightful and usually entertaining.

I did a little random scrolling
and discovered this post, from April 11, 2008, the first anniversary of Kurt Vonnegut’s death. An excerpt (although you really should call it up yourself and read the whole, not-too-long thing):

“We’re also upset today about our discovery of the winner of the Diagram Prize, given by The Bookseller magazine for the oddest book title each year. We noted the list of finalists recently, and were clearly rooting for I Was Tortured By the Pygmy Love Queen. The winner, however, was a book called If You Want Closure in Your Relationship, Start with Your Legs. We’re not even going to dignify that with a link.”

Plus this, from April 14, 2008, in a discussion of American Book Review‘s list of 100 Best First Lines from Novels, which pegged the opening of Portlander Katherine Dunn’s Geek Love at No. 83:

“When your mama was the geek, my dreamlets,” Papa would say, “she made the nipping off of noggins such a crystal mystery that the hens themselves yearned toward her, waltzing around her, hypnotized with longing.”

imagedbThat’s #83? Hmm. Well…okay. It actually does feel kind of 83rd-ish, doesn’t it? They might be right on that one.

Personally, we would prefer to see a list of the “100 First Drafts of the Best First Lines from Novels.” Where is the piece of paper on which is scrawled: “There was a really loud sound way up in the air, moving kind of toward us through the sky.” Around which peasant campfire, after a long night of drinking, did Leo say (and Constance Garnett immediately translate): “Man, happy families are all pretty similar, really, but unhappy families seem to have totally unique ways of getting so screwed up, which is kind of interesting, don’t you think?” On which napkin might we find: “Through the fence, between the curling flower spaces, I could see them hitting. By which I mean playing golf. I am developmentally disabled, by the way. I want to be clear on that, so you don’t get confused.” We want to see those 100 lines.

Art Scatter will add the link to Propeller to our links list on the right. But we’ll leave the PDX Writer Daily link, too, for your occasional strolls down memory lane.

Monday event: I met a traveller from an antique land

UPDATE: Ixnay on Thursday’s bell-tower raising. Word arrives that the tower hoist at Central Lutheran Church (see below) has been postponed a couple of weeks because of some last-minute troubles that the structural engineers will have to sort out. Something about board & batten siding and a connectivity issue. Sidewalk superintendents will need to rejigger their schedules.

Harald Schmitt's 1991 photo of Lenin deposed.

China Design Now, the big exhibit from the Victoria and Albert Museum about the waking of the sleeping giant, opens Saturday at the Portland Art Museum, and that’s got me thinking about the rise and fall and rise of civilizations.

We are at war in the Tigris and Euphrates, the once-verdant “cradle of civilization.” We are also at war in Afghanistan, the destroyer of empires. More pragmatic Americans, looking to the inevitable shift of world power toward the east, are trying to figure out a best-scenario future that has us looking something like Scandinavia or the Netherlands. Russia, so recently brought low, is still a shambles but is beginning to shake its fist again.

This morning I ran across the compelling image above on Art Knowledge News, announcing a show at the Martin-Gropius-Bau in Berlin of photographs by Harald Schmitt, who documented the social turmoil in Eastern Europe and China in the latter 20th century. This one, taken in Vilius, Lithuania, is titled simply Lenin, thrown from the pedestal.

And that reminded me of another visit from a ghost of empire, this one in a famous poem by Percy Bysshe Shelley, written in 1818. Happy Monday! Anybody feeling heroic?

OZYMANDIAS

I met a traveller from an antique land
Who said: Two vast and trunkless legs of stone
Stand in the desert. Near them, on the sand,
Half sunk, a shatter’d visage lies, whose frown
And wrinkled lip, and sneer of cold command
Tell that its sculptor well those passions read
Which yet survive, stamp’d on these lifeless things,
The hand that mocked them and the heart that fed.
And on the pedestal these words appear:
“My name is Ozymandias, king of kings:
Look on my works, ye Mighty, and despair!”
Nothing beside remains. Round the decay
Of that colossal wreck, boundless and bare,
The lone and level sands stretch far away.

********************************

n16769Also fast approaching for Portlanders is Wordstock, the celebration of writing that sprawls over the Oregon Convention Festival this weekend. And that got me to thinking about the series of fine profiles written lately by Jeff Baker, The Oregonian’s book editor and lead critic, of some key Northwest writers. If you’ve missed them, they’re well worth your time. Baker has a way of opening up a writer’s heart and mind:

  • Tess Gallagher, the fine poet, who lives in Port Angeles and still guards the legacy of her late husband Raymond Carver while continuing to expand her own rich body of work. Read it here.
  • Portlander Katherine Dunn, maybe the world’s greatest writer about the art of boxing, whose struggles with her long-awaited next novel are legendary in literary circles. Read it here.
  • Seattle’s Sherman Alexie, maybe the best-known Native American writer alive, who likes a good laugh and loves a good fight. Read it here.

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Our friend Jane, who is executive director of the Architecture Foundation of Oregon and who sometimes leaves funny comments on Art Scatter posts, passes along this tip:

The bell tower, on the rise.Sometime on Thursday the shorn-off Central Lutheran Church tower, a lamented landmark in close-in Northeast Portland that had taken a Lenin-like tumble, will rise again. Good news!

The frame was prefabricated at Western Wood Structures and delivered a week ago to the church site at Northeast 21st Avenue and Schuyler Street for reassembly in the church parking lot. (That was after a 14-month delay while wading through the building-permit process.) If all goes well, the frame will be hoisted into place sometime between 9 and 11 in the morning on Thursday. Be there if you want to watch the fun. Things are looking up!

Sunday scatter: It was a dark and stormy night in the Rainy North Woods …

Our friend Rose City Reader has a running feature on her lively lit blog she calls Opening Sentence of the Day, and it’s just that — a first sentence that, for some reason, catches her eye and ear and compels her to pass it along.

hotIt’s a great idea, and it’s hers, and no way am I going to steal it, because that would be so wrong. But just this once I’m going to borrow it, because after putting new shelves in the office I’ve been restocking some books that have been sitting in boxes in the basement, and that includes pretty much my entire collection of mysteries, which I’ve now been taking out selectively and re-reading with pleasure.

One of my rediscoveries is Gore Vidal’s three murder mysteries from the early 1950s featuring suave public-relations man Peter Sargeant (Vidal wrote them under the pen name Edgar Box) — Death in the Fifth Position, maybe the best backstage ballet murder mystery ever written; Death Before Bedtime, a maliciously funny evisceration of power, sex and corruption in the nation’s capital; and Death Likes It Hot, a mystery about — well, I can’t remember exactly, because I haven’t read it in a long time and I’ve just begun it again. But its first sentence is so delicious that I just have to take a cue from Rose City Reader and pass it along. (I can’t resist adding the second sentence, too, because it underscores the method of Vidal’s elegant wry comedy):

The death of Peaches Sandoe, the midget, at the hands, or rather feet, of a maddened elephant in the sideshow of the circus at Madison Square Garden was at first thought to be an accident, the sort of tragedy you’re bound to run into from time to time if you run a circus with both elephants and midgets in it. A few days later, though, there was talk of foul play.

Ah, the wonderful tastelessness of it all! Isn’t that what we long for in a comedy-of-manners murder mystery, even moreso than an alibi-proof plot?

And that got me thinking of my old friend and fellow ink-stained wretch Vince Kohler, who died too early, at age 53, several years ago, but not before creating his wonderfully seedy reprobate of an amateur sleuth, Eldon Larkin, an “overweight, oversexed reporter” on a daily newspaper in a mythical town on the southern Oregon coast. (Kohler, who when I knew him was a reporter for The Oregonian, where Berkeley escapee Eldon hoped a good scoop might someday land him a job, was once a reporter at the Coos Bay World.)

Continue reading Sunday scatter: It was a dark and stormy night in the Rainy North Woods …