
By Laura Grimes
Here at Art Scatter World Headquarters, we concoct more than hot chocolate and dirty-little-secret martinis. We participate in genuine science. For weeks we’ve been conducting The Great Pickles As Social Vehicle Experiment.
Mr. Scatter made a bold declaration recently in the mainstream media about our little family enterprise.
We deal chiefly in the concoction of highly improbable stories and the manufacture and trade of gray-market pickles.
Just how is that gray matter coming along? (Not brain cells.) The experiment is kicking along in fine form with Pickle Swaps (everyone step together now) 5, 6, 7, 8.

By Laura Grimes
By Laura Grimes


Both were figurative artists, although in very different ways and with very different outlooks and techniques. Oliveira, who is represented in Portland by 
He shouldn’t have been, of course. After all, Deemer knows this stuff. He teaches screenwriting at Portland State University, and is a terrific playwright, and a pioneer in the expanded-universe form of hyperdrama, and he’d already done another ultra-low-budget film, Deconstructing Sally, which we wrote about a little over a year ago