Tag Archives: Chamber Music Northwest

Links: From Bard to Beethoven

David Finckel of the Emerson String Quartet at Chamber Music Northwest. Photo: Jim Leisy
David Finckel of the Emerson String Quartet at CMNW. Photo: Jim Leisy

By Bob Hicks

A couple of recent pieces, both at Oregon ArtsWatch.

 Here a Bard, there a Bard, everywhere a Bard Bard takes a look at Portland’s summer of Shakespeare, including Original Practice Shakespeare‘s energetic Much Adoe About Nothing (that’s original practice spelling) and Portland Shakespeare Project‘s world premier of C.J. Whitcomb’s Lear’s Follies.

Quick quote: “Amid all of this action it’s tough to shake the idea that Shakespeare’s becoming almost more source material than sacred text. Like Greek mythology for visual artists and playwrights, or like the Great American Songbook for jazz innovators, Shakespeare’s plays are serving more and more as springboards for reimaginings – stories so well-known, at least in certain circles, that they become raw material for new creations.”

– Chamber Music NW: Relax, it’s only a masterpiece looks at the effects of formality and informality in serious music, what “contemporary” means in the face of great works from the past, and whether it’s OK to wear jeans to hear Beethoven.

Quick quote: “It didn’t matter that the Emerson can seem aloof, or that Shifrin can be charming, or whether the performers and audience were wearing white tails and top hats or Hawaiian shirts and baseball caps. In the presence of greatness, only the greatness matters.”


Sergiu Luca: bon vivant, goodbye

By Bob Hicks

I remember Sergiu Luca in the steamy July heat of a makeshift concert hall at Reed College, sweating with the audience and instrumentalists through a little gem of a summer music festival he’d begun in 1971 called Chamber Music Northwest.

Sergiu Luca, dead at 67.I remember him beaming above the breakwaters at Cascade Head on the Oregon Coast, a glass of good wine in one hand and the other sweeping through space in accompaniment to a robust story.

I remember him meeting and greeting people at the even littler Cascade Head Music Festival he began in the tiny town of Otis and later moved to Lincoln City after Chamber Music Northwest became too much of a production, smiling and joking with people ranging from local fishermen to high-powered musical figures such as Joan Morris and William Bolcom who’d come to the beach to sing and play with their old friend.

Most of all I remember Luca with a fiddle in his hand — a very old and rare and beautiful fiddle, which he played with the light and grace and airiness of a man who had not just the right but the joyous responsibility to own and play such a wondrous concoction of wood and glue and string. With a violin tucked beneath his chin, Luca created music that was much more than precise and correct. It had swagger and pleasure and verve. If you wanted to call it classical, OK, but you could never call it boring or musty: it was a living, shifting, up-to-the-minute thing.

Sergiu died Monday night in Houston, where he was even better-known than in Oregon. Sarah Rufca has the story on Culture Map Houston. The Oregonian’s David Stabler has this report on Oregon Live, and Allan Kozinn has this obituary in the New York Times. Things Rufca revealed: Luca was born in 1943 in Romania, and began to learn the violin at age 4 from a Gypsy, and made his debut at the Haifa Symphony in Israel when he was 9. He died of bile duct cancer, and there is little doubt that, although he died too young, he lived a rich life and enjoyed pretty much all of it.

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