Tag Archives: First Thursday

Bob Hicks, General, Visual Art

It’s First Thursday. Do you know where your art is?

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Tom Hardy in his Swan Island studio. Photo: Mark Woolley

By Bob Hicks

Good lord, it’s December. And it’s Thursday, the first Thursday of the month. And that means tonight is First Thursday in Puddletown, the city’s monthly art walk of mainline galleries. (There are other such monthly festivities, including First Friday on the East Side and Last Thursday in the Alberta District, but First Thursday is the granddaddy and reigning poobah of the crowd.)

If you’re adventurous and like to party, you can plot out your route and do your gallery-hopping tonight. If you’d rather skip the crowds but still see the art, don’t worry. Most of this stuff will be on display throughout the month, although in December you’ll want to be sure to check for holiday closures.

Mr. Scatter’s guide to this month’s art shows (incomplete, as always) is in this morning’s Oregonian. Don’t forget to check out sculptor Tom Hardy‘s 90th birthday-bash exhibit in the old OGLE space: November 30 was the big day. Mr. Scatter stopped by Wednesday evening’s preview/birthday party, and Tom was at the center of things, sitting down and grinning broadly as he greeted old friends and well-wishers, a few of whom were carrying just-purchased prints or drawings tucked under their arms. The exhibit, which covers several decades and includes a lot of the welded sculptures for which he’s best known as well as works on paper, is an eye-opener. Here in our midst was a genuine midcentury figurativist-turned-modernist, although a modernist in that quintessentially stubborn Oregon/West Coast way — an artist who has never crossed over completely to abstraction but retains reminiscences of nature, animal or mineral, in everything he creates.

And he’s created plenty. The guy was making significant art before most of us were born. Even Mr. Scatter, who is reluctantly contemplating joining the AARP.

Parisian artist Sophie Calle, part of "Body Gesture" at Elizabeth Leach Gallery.

FROM TOP:

  • Tom Hardy in his Swan Island studio. Photo: Mark Woolley.
  • Parisian artist Sophie Calle, part of “Body Gesture” at Elizabeth Leach Gallery.
Bob Hicks, General, Visual Art

Art notes: 1st Thursday, Sitka Invitational

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Margot Voorheis Thompson at Sitka InvitationalMargot Voorheis Thompson/Sitka Invitational

By Bob Hicks

Tonight is First Thursday, Portland’s monthly gallery art walk. (We also have First Friday, Last Thursday and a few other gatherings, but this remains the big one.) Of course you don’t have to see the new exhibits tonight — most of them will be up all month — but if you like the party atmosphere and the thrill of being there first, tonight’s the night.

Fritz Liedtke, "April," from his show "Astra Velum" at Blue Sky.As always there’s a lot to see, more than any sane person can manage in a single evening. I have this roundup of highlights in this morning’s Oregonian, and as much as it covers, it leaves more out. Catch what you like, catch what you can, and remember: you have pretty much all of November to catch up with what you don’t catch tonight.

This weekend is the 18th annual Sitka Art Invitational at the World Forestry Center, just across from the Oregon Zoo. I covered the basics in this story on OregonLive. There are special events Friday night and Saturday after hours, but the big party is 10 a.m.-4 p.m.  Saturday and Sunday, and it’s a bargain: $5 (or free, if you’re younger than 18) gets you in the door, with unlimited return visits. About 120 artists, many of them leading regional names, will have roughly 450 works for sale, all to benefit the Sitka Center for Art and Ecology at Cascade Head on the northern Oregon coast. I’ve visited there, and it’s a very cool place, a haven for artists in residence and also a busy center for people wanting to take short-term art and nature courses.

Jim Neidhardt's "Atomic Fireball" at the Littman Gallery show "unGrounded."

ILLUSTRATIONS, from top:

  • Margot Voorheis Thompson at the Sitka Art Invitational.
  • Fritz Liedtke, “April,” from his show “Astra Velum” at Blue Sky.
  • Jim Neidhardt’s “Atomic Fireball” at the Littman Gallery show “foreGround,” curated by Jeff Jahn of PORT.
Bob Hicks, Books, Dance, General, Music, Theater, Visual Art

PDX weekend: embarrassment of riches

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  • 25 candles for First Thursday
  • BodyVox leans horizontally
  • William Hurt and Harold Pinter duke it out
  • Wordstock throws a bookapalooza
  • Oregon Arts Watch puts on a show (times three)
  • A double feature at Oregon Ballet Theatre
  • Portland Open Studios’ peek behind the scenes

By Bob Hicks

Good lord, what a weekend. Used to be, a person who really tried could actually keep up with significant cultural happenings in Puddletown. Kiss those days goodbye. Portland’s grown up (in a lot of ways, anyway) and we’ve entered pick-and-choose time. You’ll never catch everything worth catching, so pick what looks most intriguing to you and resign yourself to missing out on some good stuff. Even Don Juan can’t sample all the pleasures in the pantry.

A few ideas:

Tom Prochaska, "So Much To Do," oil on canvas, 66" x 88", 2011. Courtesy Froelick Gallery.Tom Prochaska, So Much To Do, Froelick Gallery

Tonight is First Thursday, the mainline Portland galleries’ monthly art hop, and it happens to be the 25th anniversary of the first art walk, in October 1986. Kelly House has this story in this morning’s Oregonian about how First Thursday and the Pearl District grew together, and I have this rundown (partial, as always), also in The Oregonian, of highlights of the October visual art scene. Personal tip: If you have business in Salem, or a free day for a short trip, the double-header of Italian Renaissance drawings from the Maggiori Collection and 22 prints from Georges Rouault’s Miserere et Guerre series at the Hallie Ford Museum of Art is well worth the visit.

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Bob Hicks, General, Visual Art

It’s First Thursday: can you see your art?

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Storm Tharp, Bokashi, 2011 softground print, edition of 12. 30" x 22"/PDX Contemporary ArtBokashi, Storm Tharp/PDX Contemporary Art

By Bob Hicks

This evening is First Thursday, Portland’s monthly movable feast of gallery-hopping, and Mr. Scatter published this guide in this morning’s Oregonian. Lots of options, and as usual it’s just part of the picture: a lot of gallery openings and other art events aren’t included.

Well, it’s a big town. You can list all of the people some of the time, and some of the people all of the time, but you can’t list all of the people all of the time. And that’s probably a very good thing: no sense exploding your brain with too much information.

Hiroshige, from "100 Views of Edo," Wikimedia CommonsSo of the 40 zillion or so images we might show you, we’ve chosen just one: Storm Tharp’s Bokashi, above, a 2011 softground print in an edition of 12 in the group show Oomph at PDX Contemporary Art. And we’re showing this one not just because we like it but also because it comes with a small but intriguing art-history connection, as PDX’s Jane Beebe points out. “One can see the influence of Japanese prints and masks in the trajectory of Storm’s artistic thought and work,” she writes, and then adds: “also I think it is interesting that Bokashi can refer to swipe….. the swipe of the eyes in the print.” She passes along as evidence this image (from One Hundred Famous Views of Edo)  by the legendary 19th century Japanese printmaker Hiroshige, along with this explanation from Wikipedia:

Bokashi  is a technique used in Japanese woodblock printmaking. It achieves a variation in lightness and darkness (value) of a single color by hand applying a gradation of ink to a moistened wooden printing block, rather than inking the block uniformly. This hand-application had to be repeated for each sheet of paper that was printed.

The best-known examples of bokashi are the shadings of a color often used by Hiroshige on landscape prints to depict the sky at the top of the print.

Most of the galleries participating in First Thursday are open from 6 to 8 or 9 p.m. Put on your walking shoes. And remember two things. First, most of the shows will be up all month, so don’t worry about hitting all of them (or any of them, for that matter) tonight. Second, a lot of other good exhibits aren’t taking part in First Thursday at all. Weekend jaunts are good.

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  • Storm Tharp, “Bokashi,” 2011 softground print, edition of 12. 30″ x 22″/PDX Contemporary Art.
  • Hiroshige, from “One Hundred Famous Views of Edo,” Wikimedia Commons.
Bob Hicks, General, Visual Art

It’s First Thursday tonight. Walk the walk.

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Mary Ellen Mark, Ward 81, Oregon State Hospital, Salem, Oregon, 1976 11x14” Vintage Silver Gelatin; Blue Sky Gallery.

By Bob Hicks

Most Portland galleries open their new shows on the first Thursday of each month, and have a little party to go along with it: They stay open, usually, from 6 to 9 in the evening on First Thursdays. This is a big deal for galleries in the Pearl/Northwest and downtown, but it’s far from the only game in town.

Jeffry Mitchell Untitled (foot vase) 2011, 10"x10"6" glazed ceramic; Pulliam Gallery.A bunch of Eastside galleries have First Friday openings instead. The renegades on Northeast Alberta opt for Last Thursdays, upsetting the applecart of neighborhood decorum in the process (although it’s not generally the gallery owners who relieve themselves drunkenly on the neighbors’ lawns). And a lot of places — the museums and college galleries, for instance — go serenely on their own schedules. Disjecta, the North Portland art center, is waiting until Saturday to open its quirky-looking show of folded miniatures, Portland Paper City.

But First Thursday includes most of the big mainstream galleries: It’s the art walk that gets the most horn-tooting. And as the guy who has sex only one time a year says excitedly, Tonight’s the night! Mr. Scatter put together a quick guide to some of the First Thursday highlights for this morning’s Oregonian; you can see it online here.

Kris Hargis, "The Fifth," 2010. Drawing: oil, conte, colored pencil, grease pencil on paper, 20.5 x 16.5 inches. Froelick Gallery. There’s more than this to it, but isn’t there always? Elizabeth Leach Gallery, for instance, holds over Matt McCormick’s historically potent video installation and photo show The Great Northwest from last month, and Bullseye Gallery does the same with Mark Zirpel’s Queries in Glass, an exhibit that merges aesthetics with the gadgetizing of 18th century and Victorian men of science.

Speaking of the Age of Reason, you don’t need to rush out to the galleries tonight unless you really enjoy the scene. The shows will be up all month. If you’re going to look, pick a time when you can see the art without being elbowed aside by the crowds. If you want to buy — well, the earlier the better. And remember that a lot of galleries let their buying customers see the stuff a night before the official opening. That’s why, sometimes, even if you’re there on First Thursday and see a piece you really like, it already has a little red dot beside it. If you think you might want to buy, ask if you can get in early. Next month, that is.

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ILLUSTRATIONS, from top:

  • Mary Ellen Mark, “Ward 81, Oregon State Hospital, Salem, Oregon,” 1976. 11×14” Vintage Silver Gelatin; Blue Sky Gallery.
  • Jeffry Mitchell, Untitled (foot vase) 2011, 10″ x10″ x 6″; glazed ceramic; Pulliam Gallery.
  • Kris Hargis, “The Fifth,” 2010. Drawing: oil, conte, colored pencil, grease pencil on paper, 20.5 x 16.5 inches. Froelick Gallery.
Bob Hicks, Dance, General, Music, Theater, Visual Art

Pardon the interruption, s’il vous plait

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Confessionals, Church Gesu Nuovo, Naples. Photo: Heinz-Josef Lücking/Wikimedia Commons.

By Bob Hicks

Bless us, Father, for we have sinned. It’s been six days since we entered our last post here at Art Scatter, which is just … embarrassant. Pardon, if you please. It’s not that we haven’t been busy. In fact, that’s the point. We’ve been so busy we haven’t had time to keep the faith and commit good bloggery. We’ll try to do better.

pandercatalogSo let’s play catch-up.

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On Friday, having survived the Great February Blizzard of 2011, which dropped all of a third of an inch of snow on the Chez Scatter front lawn but managed to snarl the city and shut down its schools, Mr. Scatter took a tour down the valley to the Hallie Ford Museum of Art in Salem to catch Memory and Modern Life, an expansive retrospective of the oils, watercolors and drawings of Henk Pander, the Dutch-born Portland artist.

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Bob Hicks, General, Visual Art

Onda calls it quits, Pander thinks big

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Henk Pander, "Leviathan," oil on linen, 69" x 101", 2009. Laura Russo Gallery.

By Bob Hicks

Bad news arrived this morning for Portland art followers: Alberta Street mainstay Onda Gallery is shutting its doors at the end of the year. I’ve always liked gallery owner Allan Oliver and appreciated his efforts to make a home in Portland for the art of Latin America. Three years ago Oliver sold the space to Pablo Merlo Flores, whose wholesale business, Pampeana, represents Latin American gift and craft items across the United States. Oliver continued as gallery director. I’m sorry to see Onda disappear, and wish Allan the best.

Poster for this month's Onda Gallery exhibit. The party's almost over, friends.Here are excerpts from his announcement:

After twelve years at the forefront of the Alberta Street renewal, Onda Gallery will close its doors at the end of the year. The holiday show, featuring art work from Pacific Northwest, Cuban and Ecuadorian artists, will be the last art event at the gallery.

After assuming sole proprietorship in 2001, Allan Oliver curated over one hundred art shows with their openings on the Last Thursday of each month. His mission has been to introduce the Portland area art public to fine artists from Latin American countries, many of whom have presented their work in person, and to young, emerging and mid-career Latino artists living in the Pacific Northwest. …

The public and media are invited to the gallery’s final party on Saturday, November 20, 6-9 PM.

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Today is First Thursday, which means new shows in a lot of the city’s galleries, and D.K. Row has several suggestions in this morning’s Oregonian on exhibits to hit. One to keep a special eye on is Henk Pander‘s exhibit of recent works at Laura Russo Gallery. That’s his painting Leviathan at the top of this post, and a leviathan is what it is — 69 inches tall and 101 inches wide.

Pander was born in the Netherlands and trained in the Dutch tradition, and he’s  been one of our most important artists for a long time. His technical skill is part of that. He’s also willing to go into psychological and social areas that are uncomfortable for a lot of artists and art viewers. As he gets older, his work seems to get even more profound. You may recall Martha Ullman West’s tribute to Delores Pander, his wife, who died in June of this year, and Henk’s piercing, loving, astonishing portrait of her that he painted the year before she died. I think we could be seeing some pretty amazing things in this show.

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ILLUSTRATIONS, from top:

  • Henk Pander, “Leviathan,” oil on linen, 69″ x 101″, 2009. Laura Russo Gallery.
  • Poster for this month’s Onda Gallery exhibit. The party’s almost over, friends.