Category Archives: Books

Home on the range: separated at birth?

Dead Eagle Trail, by Jane Hilton, front cover. Schilt Publishing, Amsterdam.

By Bob Hicks

Scatter friends Karen and John got home a few weekends ago from Hells Canyon Mule Days in Enterprise, in the Wallowa Valley of far eastern Oregon, and it got us to thinking about the big wide stretches and the places in America where work is still manual and landbound and practical in a vastly different and more elemental way than the workaday practicalities of living an ordinary urban life.

Heart of a Shepherd, by Rosanne Parry, front cover. Random House.It was the thirtieth anniversary of Mule Days, and Mr. Scatter, who was on the spot for last year’s festivities, which he wrote about here and here, was sorry to miss the big blowout. Of course, with about 1,800 people (plus another 1,000 or so just up the road in Joseph) Enterprise is a giddy metropolis compared to the landscapes of two books we’ve been pondering lately — British photographer Jane Hilton‘s Dead Eagle Trail and Portland area novelist Rosanne Parry‘s Heart of a Shepherd. Both books take imaginative looks at territories where the high lonesome is not just a fact but also, often, a comfort of life. And don’t these two cowboys just look like they’re cut from the same cloth?

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Don’t call us, Ishmael. We’ll call you.

By Bob Hicks

In his time Mr. Scatter has done a lot of editing, sometimes with the lightest of fingers and sometimes with a bloodied ax.

He has ruthlessly rewritten. Many years ago he was put in charge of “fixing” a writer so bad that he recomposed, and even re-reported, every inch of every story she turned in, begging all the while with his own boss that he please god please do the right thing and fire her so she could become an outstanding tax preparer or short-order cook or anything other than a newspaper reporter, which despite her byline and weekly paycheck she decidedly was not.

Mr. Scatter preparing to edit an unruly submission. OK, OK. Actually, it's "Destruction of Leviathan," an 1865 engraving by Gustave Doré. Wikimedia CommonsThen she took a batch of her rewritten stories, entered them into a prestigious professional competition, and strutted off with a passel of awards. That experience has made Mr. Scatter deeply suspicious of awards ever since. It also played a crucial role in the briefness of his own tenure at that particular less-than-august journal of news and opinion, a place that greeted him on his first day of work with a single rule, banning in-house sexual fraternization: Don’t dip your pen in the company ink. That the prize-winning “writer” was regularly inking and dipping with the publication’s owner did not help Mr. Scatter’s position, although it seemed to do wonders for her own.

Continue reading Don’t call us, Ishmael. We’ll call you.

Lost books: ‘Out of the Deeps’

By Bob Hicks

About the time the icebergs started breaking off I realized that Out of the Deeps, John Wyndham‘s 1953 speculative-fiction thriller, was heading into some pretty interesting territory. The suspicion had been rising for some time that this was no ordinary, dated genre toss-off. But when I picked it up I’d had no idea it anticipated the global warming controversy by a full 50 years.

out-of-the-deepsI did have an idea it’d be an interesting read, at the least from a historical and sociological perspective. Wyndham (full name John Wyndham Parkes Lucas Beynon Harris, born 1903, died 1969) was also the author of a novel called The Day of the Triffids, which I had never read but recalled vaguely as a pleasingly scary movie about an invasion of malevolent creatures from outer space. I happened upon Triffids on a shelf at Powell’s in a recent “rediscovered” edition, all tricked out in fresh literary wrap suggesting that someone at a publishing house somewhere thought it was worth a more serious look. It was selling for 16 bucks, and I wasn’t sure I wanted to put that much down for a gamble on an author I’d never read from a dubious pulp-genre background. But next to it was a used copy of Out of the Deeps for $2.50, and that, I decided, was worth the risk.

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Here there be faeries: fantastic, isn’t it?

Lucas Threefoot as the Bluebird in Oregon Ballet Theatre's "The Sleeping Beauty." Photo: Blaine Truitt Covert

By Bob Hicks

“People must love fairy tales,” the fellow said, and then he laughed, in something that sounded like happy, faintly embarrassed resignation. “Me, too, I guess,” his laughter seemed to say.

The man and his companion were standing behind Mr. Scatter’s shoulders, in a Keller Auditorium crowded with people on their feet, most clapping loudly and a few even whistling and stomping and shouting out, during Saturday night’s curtain call for the final performance of Oregon Ballet Theatre‘s The Sleeping Beauty. Next to Mr. Scatter, the Small Large Smelly Boy, who is rapidly developing into an enthusiastic and discriminating follower of the ballet, had also risen to his feet, although as always he declined to clap: that would be too demonstrative.

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The language that brings us together

Wordstock

By Laura Grimes

Wordstock is all about community. It’s about taking the very private act of reading and celebrating it with a giant public festival that attracts thousands of people. It’s a shared experience of language. It’s stories that connect people.

Over two packed weekend days at the Oregon Convention Center, it was a treat to hear one writer after another and glean their personal experiences. But the stories that stand out for me the most were in the first two hours.

I arrived on Saturday right at 10 a.m. when it opened. I hadn’t planned to be an eager beaver, but The Large Large Smelly Boy had to be somewhere and Mr. Scatter dropped me off.

The readings and panels hadn’t started yet so I cruised the aisles. I nearly passed by the booth for Title Wave, the store that sells books that have been withdrawn from the Multnomah County Library system, but a cover caught my eye. I had been helping the Large Large Smelly Boy look for it at home just two nights before. I walked over to the shelf.

A clutch of five volunteers were bunched in the middle and one whispered excitedly, “We have a customer!”

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Large Smelly Reader on the loose

By Laura Grimes

Dante Alighieri, "The Divine Comedy"Sort of like “borrowing” the car keys without asking, the Large Large Smelly Boy took a spin in the adult library recently without saying where he was going. It was the night before a long weekend free from school, and he was obviously looking for new reading material. But I didn’t know this yet. As I cleaned up the kitchen after dinner, his voice mysteriously hollered from the library without warning. (I told you Oscar/Dennis was a walking screenplay.)

“What’s The Divine Comedy about?”

Not sure where his voice was coming from, I hollered back. “What are you talking about?”

“It’s by someone named ‘Dante.’ ”

“Oh, that Divine Comedy.”

Mr. Scatter spoke up. “Just so you know, he’s from the 14th century.”

Oscar/Dennis quickly answered, “Just so you know, I’m putting it back.”

It was quiet for a few moments and then his voice popped up again.

“What’s ‘Coleridge’ about? It looks interesting.”

I was careful not to discourage him. “What looks interesting about it?”

“It says ‘Viking Portable Library.’ “

Get kids to read without really trying: 1

By Laura Grimes

A Year Down Yonder by Richard Peck“Why didn’t you tell me a naked lady runs down the street with a giant snake?”

I jokingly chided Mr. Scatter that it was all his fault that I was completely unprepared to read this rip-snorting scene while on a crowded bus and that I was forced to stifle gut-busting laughter until I couldn’t breathe and had to spill out onto the sidewalk.

But before I innocently chatted up Mr. Scatter, I did two things: I made sure one Large Smelly Boy was within earshot and then the other.

“What lady? Where?”

The LSBs immediately drew closer and wanted to know details.

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We put pickles up ourselves and now we need your help

Our beloved offspring

By Laura Grimes

When word got around that we put pickles up again this year, the barter offers started to come in. So far, we’ve received requests for pickles in exchange for:

  • Sauerkraut
  • Pesto
  • Elk meat

This is not a bad combination. (Forget the fact that we don’t eat meat.) Now I’m thinking that if we strike enough deals we could put together an entire Thanksgiving dinner by the fourth Thursday in November. Whaddayasay? I’m hoping for pie.

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How about a bridge we can live ON?

Drawing of London Bridge from a 1682 London map. Surveyed by: Morgan, William, d. 1690. Published: London, London Topographical Society, 1904. Wikimedia Commons

By Bob Hicks

Once again the fates have flung Mr. Scatter to the far reaches of Ecotopia, where yet another dismal drive through the 90-mile sprawl of the great Seattle megalopolis has underscored how little eco is left in this topia of ours. They paved Paradise and put up a freeway that’s a parking lot.

Well, sometimes you need a car. And cars need roads. And roads, when they run up to little impediments like the mighty Columbia River, need bridges. And bridges, we hear, can cost a cool four billion bucks. And four billion bucks (plus interest), we understand, will be coming out of everyman’s collective wallet for a long, long time to come.

Interstate Bridge between Portland and Vancouver. Source: Cacophony/Wikimedia Commons.Up to now Mr. Scatter has stayed out of the fray over the Columbia River Crossing bridge, the proposed replacement for the aging Interstate-5 span between Portland and Vancouver, Wash. Should the bridge be an architectural icon, a splendid work of art? Should it be a utilitarian get-‘er-done, a cheap and (presumably) practical slab of concrete designed to move the traffic and not much else? Truth is, Mr. Scatter doesn’t really know, although he’s grouchily beginning to ask himself a more basic question: Do we really need to bother with the damned thing at all?

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97 Hamlets, going on 116 — this year

Dan Donohue as Hamlet at the Oregon Shakespeare Festival. Photo: David CooperMrs. Scatter has unearthed this piece by Bill Varble in the Medford Mail Tribune about Alex Ainsworth, 12, of Ashland, who at the time of the story had seen the Oregon Shakespeare Festival‘s current Hamlet 97 times and was shooting for 116 — Hamlet No. 100 is due Wednesday. Amazing! Why so many times? “You learn more,” she told Varble.

Our own take on OSF’s Hamlet and Dan Donohue’s remarkable title performance is here. But we’re guessing Ainsworth could teach us a thing or three about the show.

Dan Donohue as Hamlet at OSF. Photo: David Cooper