By Bob Hicks
Keep Portland Pickled. Or maybe, in honor of a certain shape of preserved cucumber, Keep Portland Speared.
Imagine a city where something called the Portland Fermentation Festival is such a mind-boggling hit that you can’t get in the doors. It’s like reporting that the Iowa City Haggis Festival or the Twin Falls Ukelele and Bassoon Blowout are SRO.
Such is the city in which we live.
Mr. Scatter recalls being impressed as a child by the tale of Noah, who after steering his ark at long last into port dipped into the wine cellar and got so snozzled that he stumbled into his tent, stripped off all his clothes, and fell into a deep naked snooze. This caused considerable consternation once he woke up, and somehow Noah, who after all was “a just man and perfect,” pinned the blame on his son Canaan, who as winemaker had apparently amped up the alcohol content. (He might have been the same guy making all those head-thumping California zins in the 1970s.) It was a pioneering instance of better scapegoating through chemistry.
On Thursday evening Mr. and Mrs. Scatter parked the Scatter corporate ark on a side street near the Pearl District’s Ecotrust Building and headed in for what they assumed would be a quiet and congenial gathering of fellow fermentation geeks — lovers of the likes of pickles, kimchi, sauerkraut, sourdough, and of course, wine and beer. Imagine their surprise to see a line of pickle fanatics snaking down the stairway from the second-story event, through the lobby and almost out the door.

Portland Taiko. Rich Iwasaki/2009
There isn’t much story to The Cherry Orchard, but there are themes, counter-themes, motifs. It’s chamber music, and the way we hear it can be startlingly different from production to production, depending not just on our own life experiences (interpreting Chekhov relies to an extreme on what the audience brings to it) but also on the emphases of interpretation on the stage: Do we concentrate on the cello tonight, or the bassoon? In truth, I suspect that even more so than ordinarily, every member of the audience sees a different play when watching Chekhov.


Here at Chez Scatter, the arrival of Christmas always includes a good deal of flutter over food. How many people will we be this year? Who eats meat and who doesn’t? What recipes have we been longing to try? How traditional and how daring are we going to be?
Many Scatterers undoubtedly know that when 
