Tag Archives: Chicago Tribune

The emperor with no clothes hangs it up

By Bob Hicks

A while back, in this post, we groused about the shocking unprofessionalism of the team of bozos that had taken over management of The Tribune Company, publisher of such flailing giants as the Chicago Tribune, the Los Angeles Times, and the Baltimore Sun.

Illustration from Hand Chriastian Andersen's "The Emperor's New Clothes." Vilhelm Pedersen (1820 - 1859)/Wikimedia CommonsWe were responding to David Carr’s report in the New York Times, laying bare the boorish behavior of the new guys on the block, whose obvious disdain for journalism and lack of respect for people in general seemed indicative of the moral morass that way too much of corporate life seems to be stuck in these days.

So, how about a modest celebration? CEO Randy Michaels, the overgrown frat boy at the center of the debacle, has resigned. Who knows what comes next, but it’s a beginning. You can read the Trib’s own report on the resignation here. And just imagine the celebrating in the newsroom.

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Illustration from Hans Christian Andersen’s “The Emperor’s New Clothes.” Vilhelm Pedersen (1820 – 1859)/Wikimedia Commons

Quick links: sticks, stones, busted bones

By Bob Hicks

Mr. Scatter has never been able to talk Mrs. Scatter into chucking it all and building a little log cabin in the woods. And, truth to tell, he’s not all that good at the log-splitting thing. Plus, there’s the indoor-plumbing issue: In general, he’s in favor of it.

The dome of Patrick Dougherty's stick-structure in Ketchum, Idaho.Still, he’s fascinated by the rustic stick constructions of North Carolina-based artist Patrick Dougherty — so much so that he wrote in this recent post about one that Dougherty built in Ketchum, Idaho. So he highly recommends Penelope Green’s lavishly illustrated story Of Sticks and Stones in Thursday’s New York Times, about Dougherty’s little-cabin-that-grew that he shares, during his rare down times, with his teenage son and museum-curator wife.

Old and new meet both in Dougherty’s North Carolina compound and the stick sculptures he’s installed worldwide: they speak to something arduous, provisional and soothing in humans’ relationship to the natural world.

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We could all use a dose of Dougherty’s soothing sticks after taking in the next couple of recommendations. Both stories depress and exasperate and anger Mr. Scatter. Yet he still considers them must-reads.

The first: Steve Duin’s maddeningly excellent column in Thursday’s Oregonian, Terrified of an unguarded moment, about how today’s politicians are increasingly ducking even the most facile of encounters with reporters, which means, essentially, that they want nothing to do with anything resembling a give-and-take with the public they supposedly are vying to serve. Duin’s immediate case in point is Oregon’s two major-party gubernatorial candidates, John Kitzhaber and Chris Dudley, although he makes clear they’re far from the only ones playing this little game. Everything’s scripted, everyone’s handled, nothing’s real. Is it arrogance, or fear? Or is it just that, in a climate where money pours in very big buckets, the sort of ordinary voters who reporters work for just don’t count?

The second: David Carr’s morbidly fascinating report At Sam Zell’s Tribune, Tales of a Bankrupt Culture in Wednesday’s Times. If true — and it smells right — it’s a shocking if weirdly unsurprising tale of the arrogance, hubris and venality driving far too much of the contemporary corporate world, in which a small group of top-management Visigoths feed at the trough while disdaining not just the common good but also the future and stability of their own organization. That all of this has happened in Mr. Scatter’s own industry — the Tribune Company publishes such once-great newspapers as the Chicago Tribune, Los Angeles Times and Baltimore Sun — only angers him more deeply.

Put together the arrogance of our corporations and the isolated, money-baggish timidity of our political leaders, and maybe Mr. and Mrs. Scatter will build that cabin in the woods, after all. Can’t be that hard. Right?

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PHOTO: The dome of Patrick Dougherty’s stick-structure in Ketchum, Idaho.

Dear Sen. McCain: It’s the arts economy, stupid

Lincoln was a Republican. The WPA didn't mind.So much for bipartisanship. All of a sudden it feels like we’re back in the bad old days of the 1980s and ’90s “culture wars,” when the right-wing juggernaut raised fears of chocolate-coated performance artists to push its narrow view of American culture and its broad view of the body politic as a happy economic hunting ground for the plucking of the many by the few. Maybe the language isn’t as strident as when Annie Sprinkle was flashing and Jesse Helms was waxing apoplectic, but the tactic’s still there, as Republican Sen. Tom Coburn of Oklahoma (whose daughter, ironically, is a prominent opera singer) and the recently right-wing-radicalized John McCain are making clear.

For Coburn’s arts slashing-and-burning, see here and here.

And listen to McCain’s recent take on the economic stimulus plan, which he apparently fears might benefit someone other than brokers and bankers if he doesn’t act swiftly to stem the unwashed tide:

“$50 million in funding for the National Endowment for the Arts — all of us are for the arts. Tell me how that creates any significant number of jobs? After-school snack program is probably a good idea. Do we really want to spend $726 million on it?”

Hell, no. Let them eat Twinkies. On their own dime.

Now, listen to the response to McCain from Tim DuRoche, Portland arts administrator, drummer, and writer of the smart Burnside Blog at Portland Spaces magazine. Tim sent us a copy of his letter:

Dear John–

I understand you are not aware of how funding for the arts creates jobs and stimulates the economy. So, I’d like to tell you what I do for a living and what our organization contributes to the economy. I work in community programs for a major theater company in Portland, OR—providing outreach, access and public programs to local and regional audiences and schools (approximately 200,000 people a year visit our theater), all of whom buy tickets, eat in restaurants, pay for parking, shop, and ride public transit, activities which dramatically fuel the local and regional economy.

The construction and operations of our theater (which opened in 2006) is predicted to produce a total economic impact of $116.4 million during construction and the first 10 years of operations. Investment of these funds were associated with the provision of 510 temporary jobs during the 24-month construction period, and 12 permanent jobs created and then retained during operations of the theater.

In addition, 104 existing theater operations jobs were retained through this project. An estimated total of $46.7 million in direct, indirect and induced wages will be paid during the construction period and ten years of operations. $15.8 million in Federal, State and Local tax revenues are estimated to be generated over twelve years, including $6.7 million during the 24-month construction period, and $915k annually over 10 years when fully operational.

Additionally the building is a LEED-certified Platinum historic renovation that was redeveloped on a brownfields site, engaged high-performance green technology that reduces overall potable water usage by 89%, diverted 95% of construction waste from landfills, and retained over 79% of the existing 1891 structure, among other sustainable features—ensuring that every system was designed to maximize the health of users and reduce the energy use of the building.

This is triple-bottom line proof why Sen. Coburn’s Amendment 175 is so off-base. Investing in arts and cultural infrastructure is an investment in the American spirit, it produces jobs, creates an economic multiplier effect that buoys our city’s mobility and freedom to dream, and translates into dollars that make sense for communities. It is not just social capital that the arts produce but hard capital, economic impact on the highest order–and one you can applaud nightly.

Thank you so much for asking what I do.

Sincerely,

Tim DuRoche

Community Programs Manager

Portland Center Stage

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Our friends at Culture Shock have also been following this closely. They found this provocative challenge to the arts world from Chicago Tribune critic Chris Jones for its “stunning political ineptitude.” Time to think tactics, ladies and gentlemen.