By Bob Hicks
Yes, it’s over. Today is January 6, Epiphany, the day after Twelfth Night, traditional final day of the Christmas season, complete with twelve lords a-leaping and a partridge in a pear tree. Salute them in the rear view mirror, say a fond farewell, and let’s move on.
The diarist Samuel Pepys seemed more than ready to turn his attentions elsewhere on January 6, 1663, when he recorded this among other observations of the day: “So to my brother’s, where Creed and I and my wife dined with Tom, and after dinner to the Duke’s house, and there saw Twelfth Night acted well, though it be but a silly play, and not related at all to the name or day.”
Pepys had notoriously little patience for Shakespeare and his fripperies. What might he have thought, then, of Constance Congdon’s adaptation of Moliere’s The Imaginary Invalid, with David Margulies as the hypochondriacal Argan? We haven’t seen it (it opens next Friday, January 14, as Portland’s theater Second Season picks up speed) but the whispers blowing in from backstage are that it’s heavy on the flatulence jokes. Ah, the holy trinity of bodily-function comedy: Beavis and Butthead, South Park, Moliere.
Second Season gets off and running Friday night when Artists Repertory Theatre opens Tracy Letts’s Superior Donuts. The cast includes Bill Geisslinger and Linda K. Alper, a couple of top-rank actors from the Oregon Shakespeare Festival in Ashland, which opens its new season in late February. And the crossovers continue. OSF opens its production of Letts’s biggest hit, August: Osage County, in April. And the festival opens its own version of The Imaginary Invalid — this one adapted by Oded Gross and director Tracy Young, with the excellent David Kelly as Argan — in February.
Continue reading On beyond Twelfth Night: upstaged